IPAG Soars in 2025

One for the books. This year, IPAG has again surpassed the 50,000 live-audience mark (excluding appearances on Livestreamed productions, which reached up to 100 countries worldwide).

How a performing group on the fringes evolves into a dominant company in the Philippines, the most-traveled, with over fifty full-feature productions performed worldwide to millions. Forty-eight years without a permanent theatre building, a company whose logistic support is as transient as its roadshow audiences.

๐’๐จ ๐ข๐ฌ ๐ญ๐ก๐ž ๐ฌ๐ญ๐จ๐ซ๐ฒ ๐จ๐Ÿ ๐ญ๐ก๐ž ๐ˆ๐๐“๐„๐†๐‘๐€๐“๐„D ๐๐„๐‘๐…๐Ž๐‘๐Œ๐ˆ๐๐† ๐€๐‘๐“๐’ ๐†๐”๐ˆ๐‹๐ƒ (๐ˆ๐๐€๐†)

๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿฑ ๐—”๐˜„๐—ฎ๐—ฟ๐—ฑ๐˜€. ๐–๐จ๐ซ๐ฅ๐ ๐‚๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐ž ๐…๐ž๐ฌ๐ญ๐ข๐ฏ๐š๐ฅ ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“, ๐‡๐ฎ๐ฆ๐š๐ง๐ข๐ญ๐š๐ซ๐ข๐š๐ง ๐€๐ฐ๐š๐ซ๐ ๐Ÿ๐จ๐ซ ๐Œ๐ฎ๐ฌ๐ข๐œ ๐š๐ง๐ ๐…๐ข๐ง๐ž ๐€๐ซ๐ญ๐ฌ, Kartanaka, India | ๐‹๐š๐ฆ๐ฉ๐š๐ซ๐š ๐ฉ๐š๐ซ๐š ๐ฌ๐š ๐Š๐ฎ๐ฅ๐ญ๐ฎ๐ซ๐š ๐š๐ญ ๐’๐ข๐ง๐ข๐ง๐  ๐ˆ๐ง๐ญ๐ž๐ซ๐ง๐š๐ญ๐ข๐จ๐ง๐š๐ฅ ๐“๐ก๐ž๐š๐ญ๐ž๐ซ ๐ˆ๐ง๐ฌ๐ญ๐ข๐ญ๐ฎ๐ญ๐ž (๐ˆ๐“๐ˆ), with Philippine affiliate ๐„๐š๐ซ๐ญ๐ก๐ฌ๐š๐ฏ๐ž๐ซ๐ฌ | ๐Ÿ๐ŸŽ๐Ÿ๐Ÿ“ ๐‚๐‘๐„๐€๐“๐ˆ๐•๐„ & ๐‚๐”๐‹๐“๐”๐‘๐€๐‹ ๐„๐—๐‚๐„๐‹๐‹๐„๐๐‚๐„, ๐˜ผ๐™จ๐™ค๐™˜๐™ž๐™–๐™˜๐™ž๐™ค๐™ฃ ๐˜ฝ๐™š๐™ฃ๐™š๐™›๐™ž๐™˜๐™ค ๐˜พ๐™ช๐™ก๐™ฉ๐™ช๐™ง๐™–๐™ก ๐™‹๐™–๐™ง๐™– ๐™ก๐™– ๐™‹๐™ง๐™ค๐™ข๐™ค๐™˜๐™ž๐™ค๐™ฃ ๐™™๐™š ๐™๐™ž๐™ก๐™ž๐™ฅ๐™ž๐™ฃ๐™–๐™จ ๐™ž ๐™€๐™จ๐™ฅ๐™–๐™ฃฬˆ๐™– (ASPROFIL SPAIN) | NCCA SUDI Music Award

๐˜“๐˜ช๐˜ฌ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ณ๐˜ข๐˜ด๐˜ต๐˜ช๐˜ฏ๐˜จ ๐˜ฎ๐˜ฐ๐˜ฎ๐˜ฆ๐˜ฏ๐˜ต๐˜ด ๐˜ช๐˜ฏ ๐˜ข ๐˜ฑ๐˜ญ๐˜ข๐˜บ, ๐˜๐˜—๐˜ˆ๐˜Ž ๐˜ฉ๐˜ข๐˜ฅ ๐˜ช๐˜ต๐˜ด ๐˜ด๐˜ฉ๐˜ข๐˜ณ๐˜ฆ ๐˜ฐ๐˜ง ๐˜จ๐˜ญ๐˜ฐ๐˜ฐ๐˜ฎ.

A major earthquake and super typhoons cancelled road shows, stranded the company in the Bicol region, consequently cancelling performances at the Vietnam International and the Shanghai APB Festivals.

Saddest is the unexpected demise of our most avid supporter, Sir Ruffy (Engr. Rufino Ignacio), a guardian and inspiration who has kept our creative spirits high, having hosted IPAG in its US roadshows.

But even after these moments of grief, we roll back to euphoria with prospects that, in the next few months, we will be mapping programs that will spur our creativity towards a robust industry.

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