Tighod (Tides of Times)

Tighod, ebb and flow, a devised piece narrating the odyssey of a group of creatures born out from water. They discover a new realm and their change of existence leads them to a point of no return– an allusion to the proverbial cycle of mankind’s history. The production navigates in a postmodern narrative. The deconstruction through digital images, sounds, chants, dance, and movements is a laboratory piece assembled by IPAG’s dramaturgy workshop. Movement, action, reaction and response, and audience engagement, improvised and prodded by the reactions of both the characters and the viewers, shape the meanings the piece attempts to signify. Meaning-making to the audience is experienced in-the-moment caught up in the web of representations that animate the play.

Tighod premiered to acclaim at the 2019 Festival of the Asia Pacific Bond of Drama Schools at the Vietnam International Performance Academy (VIPA) in Hanoi. It was set on its Philippine premiere at the Tanghal National Theater Festival in Cebu last March when the COVID pandemic struck.
#inspiring43 #tighod

IPAG TV series Launched

Starting June 15 (Mon), 10:00 a.m. and thereafter, we broadcast our first Theater Video UWAHIG (Water)

NEXT. June 18 (Thurs). TIGHOD (Tides of Water)

Click to watch.

NOTE: Video documentations cannot and do not capture the engagement of live performance where the presence of audiences and their responses are much part of a performance. Digital forms belong to a different platform with distinct qualities of engagement and will therefore not capture the engrossing moments of Theater.

IPAG’s “Perlas” shown on-line

The CCP Online premieres Perlas ng Silangan (originally: Gintong Alab sa Silangan) . Starting May 19 (Tues), 3:00 p.m., via the CCP YouTube channel.

The Philippine story, this dance-music suite captures the centuries of history of the Filipino people encapsulating the spirits of the significant eras that shaped the Filipino and his nation. Perlas images the glitter of a storied history of the “Pearl of the Orient.” The pearl — revered and desired, and through time aged in an oyster’s shell — glows in iridescent splendor when struck by the sun.

From the IPAG creative team, the production premiered in 2017 in a national road show culminating at the CCP Little Theater in 2019 . Composed by Steven P.C. Fernandez, Perlas produced under the CCP Ugnayan sa Sining, gathered the collaboration of the Maskara Theater Ensemble of La Salle U Bacolod, Sinukwan Kapangpangan of Angeles City, and the Philippine Barangay Folk Dance Rondalla.


#tranSCRIPT

#tranSCRIPT

On-line PLAYWRITING and DRAMATURGY workshop
 
Course designed by Steven P.C. Fernandez, DFA
Founder-Artistic Director, IPAG
 
A Theater is only as good as its plays. This truism directs us to our plan to build materials for production. An opportunity has set in during this “break” to reflect and gather from our experiences that have the potentials of becoming “masterpieces” with the right guidance.
 
The “break” is auspicious because we now all experience the same agonies the world also experiences. The extreme circumstances we now go through become the background of the materials we propose to share. Writing and mounting thus become our outlets through where we can release our anxieties and reflect on meanings our obras try to uncover about the world around us.
 
These works-in-progress shall become the cornerstones of a festival we plan should life return to ‘Normal’, by my estimates the first quarter of 2021. Which means that from now until the end of 2020, time will be devoted to writing and rewriting and rewriting (Note: Rewriting is the constant in good productions.)
 
Titled “TranScripts”, the program appropriately describes a a process towards a performance that is communally-owned by the audiences, the artists, the producers, and even by the milieu. From the source, to the material, to interpretation, and production, the original script undergoes countless transitions.
 
Conduct and Pedagogy
Limited resources only allow us to accommodate eight most-promising “trans-criptors” to make the first batch. There is a module I have prepared that is progressive, step-to-step development and that combines dramaturgy with writing because one cannot do with the other. We shall use online facilities and discuss as a group in zoom or duo apps. Our main facility will be Google Classroom courtesy of the MSU-IIT web resources.
 
I will also join the writing producing a play that is supposed to premiere in the Quinto of LapuLapu together with the that of our participants. All works will go through critiques so that there is a sense of equality and true collaboration. Sessions will be held for live readings as we can only do this in conference thru our online facilities. (There is yet little chance we can meet physically because of the dangers of contamination.)
 
The program encourages experimentation and innovation, however we all need to begin with the basics. It is from the basics we innovate from, we stylize from. Therefore, I start with the One Act because of the control and discipline required here. The plays may or may not be produced, depending on our evaluations. Also, if we have already understood the framework of the One Act, then I can allow you to move into further explorations. Ultimately, you can work on your full-length play. Later. This will take time.
 
The planned festival will present one-acts, and perhaps samples of experimentations or portions of one-acts. This will signal our “resurrection”— a celebration after COVID, Godwilling.

Our continuing celebration of National Literature Month: POETRY performed in the time of COVID. Our feature, revisiting Anthony L. Tan’s “Crossing the River”. feat. Kenn Erwin A. Velasquez, Melvin Pascubillo, Hobart Savior, and the IPAG Ensemble. A transcreation of IPAG. Happy Lit Month! More posts coming.

“Bukas,” from the dance-musical “Sarimanok” book, lyrics, and mise-en-scene: STEVEN P.C. FERNANDEZ

Today the world lays prostrate shrouded in a thick pall of gloom, anxious if tomorrow will still come. But for us, HOPE lurks eternal, peeking somewhere in the horizon. Dawn follows darkness, then light. Stock, but it’s the only way we can cope. I discover from my archives music I wrote many years ago. This is from the music of the play “Sarimanok,” a personal favorite and perhaps a favorite of many also. “Sarimanok” despite its dark premise sings of Hope. One bird dared to confront convention. I hope this can inspire us. “Sa liwanag ng bukas, kami ay aasa”
(MSU-IIT, Iligan City, January 21, 2020)
MSU-IIT’s tribute to STEVEN P.C. FERNANDEZ To officially complete service as government teacher-artist, Steven “Tibo” Fernandez receives tribute for his 43 years of contributions. Here is the “Tribute” they offered during his retirement last January. SP Fernandez continues as Founding Artistic Director of the IPAG.

credits: “And my deepest love my forever Lani who conceived and with much effort to put this amazing production together, to Mahdz Guinto who directed and Kenn who choreographed a masterpiece collating my life’s work in an hour-and-a-half, my colleagues, my co-artist-forever friends in IPAG, Octava Choral Society, Echoes Band, and my original music band MAIZE that gave IIT and Iligan its wonderful music years, and sana-ol, the list is long. SALAMAT! SALAMAT! ❤” — STEVEN P.C. FERNANDEZ, Artistic Director-Founder, IPAG

(film and documentation: Bryan James Lidio, multi-media: Meshaq Dangel and McMarvin D. Palomares)

In 2019, IPAG captivated the cities of Mumbai and Ayodha bringing its Ramayana to the epic’s birthplace through Sita: The Ramayana Revisited. A deviced piece Tighod (Tides of Times) amazed the Hanoi audience as it revealed human foibles. It premiered for the Asia-Pacific Bond Festivals and will be re-staged in February 2020.

Locally, Tales From Mindanao and Tatlo sa Isa continued its long-running tours enthralling gym-size audiences in Davao Oriental, Dumaguete (Luce Auditorium, Silliman U), Metro Manila, and Iligan further nailing its claim as the country’s most-traveled repertory production. Still, IPAG headlined the CCP Outreach’s collaboration with its Pearl of the Orient Sun performing to enraptured audiences at the CCP Tanghalang Tolentino and the Nueva Viscaya Convention Center to celebrate the Outreach’s 50 years.

Double-20 conspires to further expand our theater reach, again returning to the Ramayana’s culture of its birth in the next weeks. Besides Ayodha and Mumbai, Sita has performed previously in New Delhi, Kolkata, Bangkok, and Singapore. Plus: more international road tours and our own national commitments.

A PROLIFIC 2020 TO ALL!

(The 2020 schedules will be posted next. ABANGAN!)
#inspiringipag #inspiring42 #sitatheramayanarevisited #ipag #msuiit #talesfrommindanao
“… The kinesthetics was brilliant and was accompanied by intricate costumes jumping with details and designs… .” – Business Mirror

“…fabulous show!” – President Betty McCann, Ph.D, Silliman U

TALES FROM MINDANAO continues to enthrall audiences in its 42nd Season National Tours
(NOTE: Manila shows have been re-scheduled because of the on-going SouthEast Asian Games. Check our dates.)

#talesfrommindanao #ipag #inspiringipag #inspiring42 #msuiit

“Tales” opens Silliman U’s 57th Season

Tales From Mindanao, Philippines theatre’s most-travelled repertoire of dances and music from Mindanao narratives, opens the 57th Season of the Silliman University in Dumaguete City.

More international acclaim for Sita: The Ramayana Revisited

Latest News

IPAG’s “Ramayana” forefronts Philippine-India 70 Years of Friendship

Sita: The Ramayana Revisited highlights Dipotsava 2019, the Ayodha festival, at the Ramkatha Park, 6 p.m. on Oct. 26.

The same Sita performs for more Indian events next year as IPAG’s performance represents India’s influencing presence in Philippine culture. Philippine languages, lore, values, religion, and Filipino creative cultural expressions embed significant influences from India in the Philippines’ long relationships with this sub-continent.

View: The Ramayana album

Perlas premieres at the CCP Oct. 10

IPAG expands international links

The MSU-IIT Integrated Performing Arts Guild enhanced its growing international reputation with its sixth participation at the Asia-Pacific Bond (APB) of Theatre Schools Festival in Hanoi, Vietnam. IPAG performed Tighod (Tide of Times), a devised piece that narrates the odyssey of creatures born from water.

IPAG at the helm of CCP collaborative production

Arts & Culture: Perlas ng Silangan, A Regional Collaborative Dance Drama at the Cultural Center of the Philippines

MANILA, PHILIPPINES – The Cultural Center of the Philippines (CCP) through its Cultural Exchange Department (CED) presents a collaborative dance drama featuring four leading regional performing groups in “PERLAS NG SILANGAN” (Pearl of the Orient Sun) on October 10 at 3:00 pm and 7:00 pm at the CCP Tanghalang Aurelio Tolentino (Little Theater).

IPAG joins prestigious Asia-Pacific Festival in Hanoi

THE INTEGRATED Performing Arts Guild (IPAG), resident company of the MSU-Iligan Institute of Technology, joins 25 other major universities in the Asia-Pacific in a Drama Festival in Hanoi, Vietnam from Sept. 23 to 29.

https://ipagarts.com/home/news/#2019apb

IPAG performs in-town on Sept. 16 (6:30 pm), 17 (3:30 pm. and 6:30 pm.), at the MSU-IIT gym. JOIN US!

#inspiring42 #inspiringipag

42nd Season Opens

The Integrated Performing Arts Guild (IPAG) announces its offerings for the 42nd Season, August 2019-May 2020. The widely-acclaimed Tales From Mindanao and Tatlo sa Isa (Three Peoples, One Island) opens the Season with road shows  at the SM North Skydome (Aug. 19-20) and at the Letran in Calamba, Laguna (Aug. 21)
…more

Live feed performances of Tales From Mindanao and Tatlo sa Isa